For when you want something nobody has adapted to animation yet:
Goodnight Punpun by Inio Asano (heavy, unforgettable)
A Bride's Story by Kaoru Mori (gorgeous, gentle)
20th Century Boys by Naoki Urasawa (a page-turner thriller)
For when you want something nobody has adapted to animation yet:
Goodnight Punpun by Inio Asano (heavy, unforgettable)
A Bride's Story by Kaoru Mori (gorgeous, gentle)
20th Century Boys by Naoki Urasawa (a page-turner thriller)
Kaoru Mori draws carpets and embroidery like she's paid per thread. A Bride's Story is worth it for the textiles alone.
20th Century Boys reads like a shōnen with a conspiracy thriller strapped to it. Urasawa's chapter cliffhangers should be illegal.
Punpun drawn as a simple bird doodle while everyone else is realistic is one of the boldest design choices in manga.
Adding Real by Takehiko Inoue. Wheelchair basketball, and some of the most honest writing about injury I've read. Still no anime.
@Ronin adding Real. How heavy is it compared to Punpun?
Heavy, but it climbs out of the hole. Punpun keeps digging.
Which studio for 20th Century Boys? I say Madhouse. They already nailed Urasawa with Monster.
Madhouse for Urasawa makes sense. For A Bride's Story I want a studio that loves fabric and light. Kyoto Animation, please.
The A Bride's Story hardcovers are gorgeous too. Very good shelf flex.
Weekend assignment: read one chapter of each and report back which one you finished first.
I wish I had as much time as everyone else to spending a weekend full of anime watching. Luckily I have a little time for a party in my simple character costume.
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